Western | Telescope Film
Western

Western

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  • Mexico,
  • United States
  • 2015
  • · 93m

Directors Bill Ross, Turner Ross
Genre Documentary, Western

For generations, all that distinguished Eagle Pass, Texas from Piedras Negras, Mexico was the Rio Grande. But when darkness descends upon these harmonious border towns, a cowboy and lawman must face a new reality that threatens their way of life. This aptly titled documentary is a modern take on a titanic cinematic tradition.

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What are critics saying?

100

Village Voice by Alan Scherstuhl

The film, a hard jewel of beauty and reportage, demands and rewards that second viewing.

91

The Playlist by Katie Walsh

In Western, the filmmaking philosophy remains the same, but the subject is new and different, and the storytelling is deeper, nuanced, and honed by experience.

90

Screen Daily by Tim Grierson

As a dreamy yet concrete evocation of lives beset by unseen anxieties and dwindling resources, Western has a mythic quality in keeping with its totemic title.

90

Variety by Scott Foundas

A low-key but sharply observed work that benefits from real local flavor and a gift for lyric image making.

90

Screen International by Tim Grierson

As a dreamy yet concrete evocation of lives beset by unseen anxieties and dwindling resources, Western has a mythic quality in keeping with its totemic title.

90

The Hollywood Reporter by Sheri Linden

The film’s bracing ground-level truths, by turns hopeful and despairing, challenge Beltway anxieties about the “porousness” of the border and shake up preconceived notions about Americans’ relationships with their southern neighbors.

80

The New York Times by Daniel M. Gold

With its evocative landscapes and its non-narrative, cinéma vérité style, Western is a layered, atmospheric chronicle of living traditions like bullfights and rodeos, mariachi bands and Texas two-steps. Yet the film also records the tremors of change.

75

Slant Magazine by Christopher Gray

After the film's early optimism and speculative midsection, Western struggles to manage all the rich dramatic irony of its final half hour, perched uneasily between plot and stasis.