Perrier's Bounty | Telescope Film
Perrier's Bounty

Perrier's Bounty

Critic Rating

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User Rating

A gangster named Perrier looks to exact his revenge on a trio of fugitives responsible for the accidental death of one of his cronies.

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What are critics saying?

75

NPR by Mark Jenkins

A splendidly plotted if thematically unsurprising comedy. The pleasure comes not from fresh insights, but from a droll script and expertly timed performances.

70

Los Angeles Times by Gary Goldstein

Proves a fast-paced and enjoyable if violent diversion that revels in its quirky characters, committed performances and involving twists.

70

Movieline by Michelle Orange

Loose, flinty, and a little in love with itself, Perrier’s Bounty struts the fine line of self-consciousness drawn by neo-gangster capers like "The Usual Suspects," "In Bruges" and "Lock, Stock and Two Smoking Barrels."

60

Empire

There’s no doubting the energy, but without Colin Farrell’s fervour, or any novel spin, it’s no more than treading water from this gang.

50

The Hollywood Reporter by Frank Scheck

If there's one defining characteristic among English criminals, it's that they apparently are a quirky lot. That, at least, is the conclusion one draws from the endless series of comically tinged British crime thrillers that have come down the pike during recent years, of which the mediocre Perrier's Bounty is the latest example.

50

The New York Times by Stephen Holden

A poor man’s “In Bruges” that frantically chases itself in circles.

40

New York Daily News by Elizabeth Weitzman

There's no one to root for but the loan shark, who makes an excellent point: It's no fun when somebody takes your cash and gives you nothing in return.

40

Time Out by David Fear

It takes more than a few good actors playing bad apples to sustain such familiar romps through regurgitated material. There’s no bounty to be plucked from Perrier’s Bounty. The treasure chest has long since been emptied.

38

New York Post by Kyle Smith

A comedy that forgot to install the funny.

30

Village Voice

Ivan Fitzgibbon’s film is so steadfastly blithe that one yearns for a flicker of pretension, some small sign that there’s a guiding principle or purpose.