San Francisco Chronicle by David Wiegand
The Little Prince is heartbreaking, beautiful and irresistible.
Critic Rating
(read reviews)User Rating
Director
Mark Osborne
Cast
Jeff Bridges,
Mackenzie Foy,
Rachel McAdams,
Marion Cotillard,
Riley Osborne,
James Franco
Genre
Adventure,
Animation,
Family,
Fantasy
The Little Girl's preparations for the adult world is suddenly interrupted by her eccentric, kindhearted neighbor, The Aviator. Through his stories, The Little Girl is introduced to an extraordinary world of endless adventures that is home to The Little Prince - a dear friend he once met.
San Francisco Chronicle by David Wiegand
The Little Prince is heartbreaking, beautiful and irresistible.
The Globe and Mail (Toronto) by Brad Wheeler
The audience is invited to celebrate the purified wonder of youth and the dazzle of life’s invisible indispensables.
New York Post by Kyle Smith
Like a Pixar movie shorn of the cutesy and manipulative aspects that marred “Inside Out,” the animated remake of The Little Prince, hitting theaters and Netflix, is as fragile and beautiful as the beloved rose guarded by the wee fellow of the title.
Entertainment Weekly by Leah Greenblatt
At its inventive best—like the creation of a little cloth fox who never speaks but steals almost every scene he’s in—it does capture the odd, tender wonder of his world.
Hitfix by Gregory Ellwood
There is a faith that the story and characters will keep the audience engaged, even if there isn’t a bright and shiny thing to distract them in a every single scene.
The Playlist by Oliver Lyttelton
The book is so counter to our contemporary narrative demands that liberties would need to be taken for a movie version, and for the most part Osborne takes the right liberties, ending up with an extremely beautiful, very charming, thematically rich take that’s sure to be one of the better animated movies this year.
Variety by Scott Foundas
A respectful, lovingly reimagined take on Antoine de Saint-Exupery’s classic 1943 tale, which adds all manner of narrative bells and whistles to the author’s slender, lyrical story of friendship between a pilot and a mysterious extraterrestrial voyager, but stays true to its timeless depiction of childhood wonderment at odds with grown-up disillusionment.
The New York Times by Stephen Holden
The voice casting and the visual representations of the characters the boy encounters on his journeys are superb.
RogerEbert.com by Brian Tallerico
It is a cinematic crime that the abrasive garbage that is “The Angry Birds Movie” and “Ice Age: Collision Course” get national releases while most people don’t even know The Little Prince is coming to win their hearts this weekend.
Chicago Sun-Times by Richard Roeper
We’ve yet to get a masterpiece-level film adaptation of the classic novella “The Little Prince,” but if and until that day comes, this will do just nicely, thank you very much.
Screen Daily by Tim Grierson
A paean to the importance of retaining one’s childlike enthusiasm, the animated The Little Prince is itself a charmingly innocent film, lacking some of the storytelling and design sophistication of its Pixar and Dreamworks competitors but nonetheless delivering a sweet, likeable tale.
Screen International by Tim Grierson
A paean to the importance of retaining one’s childlike enthusiasm, the animated The Little Prince is itself a charmingly innocent film, lacking some of the storytelling and design sophistication of its Pixar and Dreamworks competitors but nonetheless delivering a sweet, likeable tale.
The A.V. Club by A.A. Dowd
Better, then, to think of this handsome, inoffensive Little Prince less as an adaptation than as a tribute — one that makes the relationship between the book and those who love it a central focus.
Slant Magazine by Chuck Bowen
As preachy and repetitive as The Little Prince can be, it offers enough moments of poetry to keep it flirting with greatness, or at least goodness.
The Guardian by Andrew Pulver
This is a very good-looking film that represents a brave attempt to do justice to a very popular book; it manages it, just.
CineVue by John Bleasdale
Osborne, who initially got his kicks with Kung Fu Panda, doesn't trust his source material and the film becomes about collecting the pages of the story and the effect the story might have on the people who hear it, rather than the telling of the story itself.
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