Village Voice by Diana Clarke

The sloping plot of the film is all happenstance, loosely connected scenes strung together, a life taking shape.... It's hard to keep watching. Don't stop.

The New York Times by Jeannette Catsoulis

Thanks to Ms. Haas’s truly remarkable lead performance (she was 16 at the time of filming) and Ms. Shalom-Ezer’s nuanced dialogue, Adar’s journey finally feels more like one of empowerment than victimization.

Variety by Dennis Harvey

Princess plays out an unsettling scenario of underage sexuality in enigmatic, almost dreamlike terms.

Los Angeles Times by Katie Walsh

The young actress Haas is riveting in a performance far beyond her years. Princess takes its time, but patience pays off in this sensitive slow burn of a story.

The Hollywood Reporter by Leslie Felperin

Unfortunately, the narrative endgame is a mess, and should have been rethought in development, but there’s no denying Ezer has made a bold, audacious debut.

IndieWire by Kate Erbland

Princess is an arresting and taxing film experience, and although Ezer’s execution and vision are clear-eyed and she’s portraying experiences that still (tragically) occur in the real world, it’s difficult to wonder what the film itself is hoping to accomplish.