Arizona Republic by Randy Cordova

There are some poignant moments in the movie's latter half, as well as a couple of genuine laughs. If it never achieves the heft it wants, it at least manages a sitcommy kind of charm, like an extended episode of "The Golden Girls." Perhaps more importantly, it gives Rowlands a lead role, which is never a bad thing.

Los Angeles Times by Gary Goldstein

Though it's no surprise that Rowlands shines on both the comedic and dramatic fronts, the versatile Jackson is often equally impressive.

The New York Times by Nicolas Rapold

It’s a cornball odd-couple comedy: Prim older woman meets a brassy young gay man. Still, it’s extraordinary just watching the peerless Ms. Rowlands wring the most out of the repartee in this adaptation of a play by Richard Alfieri.

New York Daily News by Elizabeth Weitzman

The heart of the film is the touching relationship between two lonely souls. The lovely, feisty chemistry between Rowlands and Jackson will keep even the most cynical viewers on their toes.

Variety by Justin Chang

For all these missteps — including the convenient and predictable use of elderly death as a plot device — the leads’ odd-couple chemistry does become steadier and affectionate as their dance lessons continue, and the film manages to close on a quietly touching final note.

New York Post by Farran Smith Nehme

Seeing this great actress, age 84, draw real feeling and laughs from such mediocre material is worth the watch.

The Hollywood Reporter by Frank Scheck

It should be a sturdy player upon its release in home video formats, assuming that its target audience knows how to operate their DVD players.

Village Voice by Diana Clarke

For a film whose central motif is dance, there's remarkably little dancing done onscreen, and though Rowland and her co-star share moments of tender, revealing conversation, the movie is ultimately underwhelming, its emotional range as limited as that of its characters.