Baltimore Sun by Michael Ollove

The film -- florid, excessive, brash -- owes its success to bravura performances by Sean Penn as Eddie, Robin Wright Penn as Maureen and John Travolta as Joey, the third leg of a triangle. The three play their parts with an abandon that keeps the film buoyant and luminous. Most of all, these three superb actors give us permission to enjoy the film's terribly flawed characters rather than to judge them. [29 Aug 1997]

Chicago Tribune by Gene Siskel

The late Mr. Cassavetes directed a film called A Woman Under the Influence. This is a powerful variation on that theme -- a woman tossed every which-way, physically and emotionally. [29 Aug 1997, p.A]

Seattle Post-Intelligencer by Paula Nechak

The script, written 20 years ago by the late, great director John Cassavetes, still packs an emotional wallop. [21 Mar 1998]

Rolling Stone by Peter Travers

The film has been clobbered with complaints: John Cassavetes, Rowlands and their frequent co-star Peter Falk would have played these roles better; the script is old hat; the improvisatorial style smacks of self-indulgence masked as raw truth. Blah, blah, blah. The detractors should shut up and drink their beer or at least accept She’s So Lovely for what it is: a gift.

Christian Science Monitor by David Sterritt

In all, She's So Lovely is second-best Cassavetes but still one of late summer's more adventurous releases, helped by strong performances from its talented stars and from the great Rowlands in a minor role.

The A.V. Club by Nathan Rabin

At once grittily realistic and hopelessly romantic, She's So Lovely walks a fine line between artiness and pretension, and to its credit, it seldom falters.

San Francisco Chronicle by Mick LaSalle

Considering that most movies, even today, don't present a woman's romantic or sexual behavior in anything other than a spirit of judgment, She's So Lovely has to be regarded as something unique.

ReelViews by James Berardinelli

She's So Lovely isn't a flawless production, but it's a fitting tribute to John Cassavetes, and a reminder of the many ways that a woman can be under the influence.

Chicago Sun-Times by Roger Ebert

She's So Lovely does not depict choices most audiences will condone, or even understand, but the film is not boring, and has the dread hypnotic appeal of a slowly developing traffic accident (in which we think there will probably be no fatalities).

Entertainment Weekly by Lisa Schwarzbaum

Re-creating that ensemble buzz and that alcoholically fueled soul scraping is an almost impossible task, but in She’s So Lovely, director Nick Cassavetes, working from an unproduced script by his old man (who died in 1989), gives it a ballsy go.

The New York Times by Janet Maslin

The beat-up poetry, soused look and bad habits of She's So Lovely are often dated. The showy bravado is not.

San Francisco Examiner by Barbara Shulgasser

Director Cassavetes may want to cut back on the slow-motion stuff, but he's unquestionably a talent.

Variety by Emanuel Levy

Writer John Cassavetes wants to show that there’s nothing like the purity of first love, but he doesn’t provide his triangle sufficient psychological motivation to ground their otherwise erratic behavior. The script feels incomplete, and is further marred by a missing third act and a lack of discernible point of view.

Austin Chronicle by Russell Smith

In essence, the artistic failure of She's So Lovely is traceable to a single, supremely ironic fact: For a story by a writer with so much professed faith in the power of truth to bubble up out of apparent chaos, there's hardly anything here that feels recognizably true.