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This documentary feature looks at the work and lives of twelve contemporary Cuban artists, living in Havana today. Through in-depth interviews, the film covers a diverse range of subjects and issues, from supply shortages and constant blackouts ('apagones') to family life, love, sex and music. Visiting each person in their home and studio, the film explores the varying styles, techniques, themes, philosophies and ideas present in their work. Through this is revealed the many obstacles and difficulties that are faced on a daily basis and the feelings each person has towards the place they call home.
We hate to say it, but we can't find anywhere to view this film.
The Hollywood Reporter by John DeFore
Its undiscriminating focus, accepting artists whose degree of talent varies widely, may not help it with audiences seeking a fine-art doc, but many viewers will appreciate that very quality, enjoying this modest effort's celebration of a bootstrappy creative community.
The New York Times by Rachel Saltz
Short and sweet and limited.
Los Angeles Times by Sheri Linden
As the movie drifts from generalities about technique to vibrant scenery — evocatively photographed by Esteban Malpica — to the occasional, much-needed anecdote, the vagueness of his enterprise becomes increasingly apparent.
Village Voice by Simon Abrams
Alumbrones's creators talk up their work's restorative value, but never go into great detail about the world beyond their canvases. Donnelly's vague, circuitous questioning is to blame.
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