Los Angeles Times by Katie Walsh

Nathaniel, a native of Pakistan, has delivered a stunning, emotive work that takes to task oppressive patriarchy. It's a gorgeous, suspenseful cinematic achievement.

The New York Times by Andy Webster

Its principal merit is the quiet authority of Ms. Mumtaz, who combines a mother’s passionate concern with glimmers of an awakening consciousness.

Village Voice by Diana Clarke

Dukhtar is an issues film with the twisted, heart-pounding feel of a road-trip thriller, but Nathaniel based her script on a true story, and there's a low-key quality to the conversations that feels real, intimate, and all the more urgent for it.

Slant Magazine by Elise Nakhnikian

The film functions as a love letter to Pakistan, despite the misogynistic culture it exposes.

Variety by Jay Weissberg

A handsomely made, nicely modulated fugitive drama with forceful social overtones that decries the ongoing practice of marrying child brides in tribal regions of the country’s mountainous north.

The Hollywood Reporter by Deborah Young

Dukhtar (Daughter) may not be 127 Hours, but Afia Nathaniel’s feature directing debut generates enough tension to fuel a harrowing real-life story while adding another unforgettable heroine to cinema from the region with Samiya Mumtaz’s measured portrayal of a Muslim woman taking charge of her life.

RogerEbert.com

The rampancy of clichés might have been okay were Dukhtar slightly more self-aware.

RogerEbert.com by Laya Maheshwari

The rampancy of clichés might have been okay were Dukhtar slightly more self-aware.