Miami Herald by Marta Barber

May not be a work of fiction but, despite its many minutes of real footage, it is far from being a documentary. Lack of truth in advertising notwithstanding, the story of this Colombian cowboy deserved to be told.

Christian Science Monitor by David Sterritt

The acting is weak, largely because many of the performers seem uncomfortable speaking English. The last half-hour works up a fair amount of action and suspense, though.

Los Angeles Times by Kevin Thomas

Rich in authentic locales but is unevenly directed by Andrew Molina and is hazy in its chronology. Hayata's story in all its myriad implications might well have been better told in documentary form.

New York Daily News by Elizabeth Weitzman

Having written, co- directed and played the lead in this awkward, ego-driven memoir, Hayata has turned a genuinely compelling life story into an embarrassing vanity production.

The Hollywood Reporter by Sheri Linden

Having tackled treacherous terrain to film Hayata's story, the filmmakers miss the opportunity to deliver a scorching testament to the dangers and passions that drive the saga.

TV Guide Magazine by Ken Fox

The real-life Hayata plays himself with little conviction, while the rest of the Spanish-speaking cast give the impression that they don't have the slightest idea what their English-language dialogue means.

The New York Times by Dave Kehr

Though Mr. Hayata seems convinced that he is a colorful, romantic figure, the movie itself is crushingly mundane and unlikely to attract any audience beyond close relatives.

Village Voice

The filmmakers may have aimed for doc-like authenticity, but the result is more like a QVC fabulous fake.

New York Post by Jonathan Foreman

Thanks to the amateurish, spectacularly talent-free quality of its cinematography, direction, writing and acting, Emerald Cowboy is simply impossible to sit through.