Moonwalkers | Telescope Film
Moonwalkers

Moonwalkers

Critic Rating

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What if Apollo 11 never landed on the moon? In 1960s London, after failing to find the legendary Stanley Kubrick and enlist his help, a stubborn CIA agent is forced to team up with the manager of a seedy rock band to develop to the biggest con of all time – staging the moon landing.

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What are critics saying?

75

Chicago Sun-Times by Richard Roeper

This is a cheeky, madcap romp, with exaggerated views of 1960s American stereotypes about Brits and vice versa, featuring terrific performances by Perlman and Grint, a most unlikely and most likable buddy duo.

63

Slant Magazine by Chuck Bowen

The whole isn't greater than the sum of its parts, but the various detours coalesce into an amusing wannabe-cult curio.

60

Village Voice by Simon Abrams

Nothing in Moonwalkers matches Perlman's performance, but he frequently elevates desperate-to-please gags to stoner-comedy greatness.

50

Austin Chronicle

Moonwalkers blends a strange mélange of Swinging Sixties, drug-addled humor with that slow-motion, gangster gunplay that Guy Ritchie trademarked in his early work.

50

Austin Chronicle by Josh Kupecki

Moonwalkers blends a strange mélange of Swinging Sixties, drug-addled humor with that slow-motion, gangster gunplay that Guy Ritchie trademarked in his early work.

42

The A.V. Club by Ignatiy Vishnevetsky

By the umpteenth scene where the “joke” is that one of the characters is on drugs, the movie’s strained wackiness becomes wearisome.

42

The Playlist by Oktay Ege Kozak

Moonwalkers takes a brilliant idea and runs it to the ground thanks to a confused and illogical screenplay, an atonal execution, and a bizarre addiction to Tarantino-level gleeful ultra-violence awkwardly crammed into what was obviously supposed to be a biting satire.

30

The New York Times by Neil Genzlinger

Though Mr. Grint and Mr. Perlman both come off credibly, the movie is practically laugh-free.

30

Los Angeles Times by Robert Abele

A famously crackpot conspiracy theory, psychedelic humor and arty ultraviolence make for dreary bedfellows in the scattershot British comedy Moonwalkers.

25

Washington Post by Michael O'Sullivan

Neither Grint nor the hoax subplot are compelling enough to hold our attention. Perlman, on the other hand, is a commanding, if peripheral, presence, diverting the focus of the film from silly historical speculation to the tale of a damaged psyche.

20

New York Daily News by Stephen Whitty

Moonwalkers is supposedly a comedy. So its clever conspiracy quickly goes disastrously wrong.