The Film Stage by Michael Snydel
There’s a very good love story here, but it needed to be about one relationship, not the nature of romance itself.
User Rating
Director
Idrissa Ouédraogo
Cast
Moussa Blogo,
Aoua Guiraud,
Assita Ouedraogo,
Fatima Ouedraogo,
Omar Ouedraogo
Genre
Drama
In the Sahel region, where the deserts of the Sahara transition into the savannah of Sudan, there is a struggling village known as Gourga. The villagers live in poverty, subsisting as best they can, stuck with the choice of whether to stay and wait for international aid, or leave in search of greener pastures.
The Film Stage by Michael Snydel
There’s a very good love story here, but it needed to be about one relationship, not the nature of romance itself.
Boston Globe by Tom Russo
In the end, though, the film disappointingly, even lazily, shies away from being anything more than you’d expect.
Arizona Republic by Barbara VanDenburgh
What grates is the lack of attention to details. There is a grating sloppiness to much of The Choice, both narratively and stylistically.
Chicago Sun-Times by Richard Roeper
The Choice is classic Sparks, and by that I mean it’s a mediocre, well-photographed, undeniably heart-tugging, annoyingly manipulative and dramatically predictable star-crossed romance.
New York Post by Kyle Smith
I was too bored to hate the movie. Besides, who hates a stuffed animal? If it actually said something intelligent or surprising, you’d be alarmed, not pleased.
Philadelphia Inquirer by Molly Eichel
If you're looking for a reason to watch pretty people and cry, then, by all means, head to the theater. But it pales in comparison to other Sparks works, especially when it gets into medical-ethics territory.
Entertainment Weekly by Devan Coggan
The Choice feels like Mad Libs with some of Sparks’ laziest clichés — a romantic rowboat, a colorful small-town carnival, a jealous upper-class boyfriend — and the result is a predictable, recycled mess.
The A.V. Club by A.A. Dowd
Again and again, Sparks takes the stuff of great four-hankie melodrama—love, death, cute dogs—and grinds it into a formulaic mush. Ask more of your paperback romances. At least ask for a different one each time.
Movie Nation by Roger Moore
The Choice is another endless, nearly-sinless-in-the-sun Sparks melodrama, one that benefits from a couple of charming leads and some folksy, down home humor. But that title frames it in tragedy. And that “choice” leaves this tepid romance mired in the maudlin.
The Seattle Times
Consider your multiplex choices carefully as Valentine’s Day approaches; you might find yourself weeping tears of relief when the credits finally roll.
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