Far from the Madding Crowd | Telescope Film
Far from the Madding Crowd

Far from the Madding Crowd

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Smart and educated, Miss Bathsheba Everdene enchants one man after the other: a sheep farmer, a well-to-do bachelor, and a broken-hearted young sergeant. She denies her feelings, rejects the safety a marriage would bring, and maintains independence in order to keep managing the farm she has saved from ruin.

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75

Chicago Sun-Times by Roger Ebert

The leading men are successful. Alan Bates, in a change of pace, is the loyal shepherd. Terence Stamp is a suitably vile Sgt. Troy, and Peter Finch makes Boldwood strong and honorable in his love for Bathsheba. Miss Christie, however, is too sweet and superficial, and so is the film.

70

Time

Screenwriter Frederic Raphael has managed to preserve the book's broad vision while clarifying its bucolic speech. His most valuable ally is Director John Schlesinger (Darling), who displays the best sense of Victorian time and place since David Lean in Great Expectations, alternating his stars with a brilliant cast of minor players who serve as a Greek chorus in tragicomic peasant roles.

70

Time by Staff [Not Credited]

Screenwriter Frederic Raphael has managed to preserve the book's broad vision while clarifying its bucolic speech. His most valuable ally is Director John Schlesinger (Darling), who displays the best sense of Victorian time and place since David Lean in Great Expectations, alternating his stars with a brilliant cast of minor players who serve as a Greek chorus in tragicomic peasant roles.

50

Variety

Julie Christie, Peter Finch, Terence Stamp and Alan Bates are variedly handsome and have their many effective moments, but there is little they can ultimately and lastingly do to overcome the basic banality of their characters and, to a certain degree, their lines.

50

Variety by Staff [Not Credited]

Julie Christie, Peter Finch, Terence Stamp and Alan Bates are variedly handsome and have their many effective moments, but there is little they can ultimately and lastingly do to overcome the basic banality of their characters and, to a certain degree, their lines.

40

The New York Times by Bosley Crowther

The environment is more impressive than the slow, mawkish drama it contains, and the peasants are more assertive and colorful than the main characters. Scenes of sheepherding, farm gatherings, harvest suppers and assemblies at markets and fairs are more energetic and entertaining than the bloodless confrontations of the principals.