Entertainment Weekly by Lisa Schwarzbaum

A doozy of a French gangster pic that, in its beautifully refurbished and pithily resubtitled re-release, turns out to be one of the highlights of the 2005 movie year.

Christian Science Monitor by Peter Rainer

A first-rate crime thriller from 1960.

Los Angeles Times by Kenneth Turan

To come across Classe Tous Risques is like discovering a bottle of marvelous French wine you didn't remember you had, opening it and finding it every bit as delicious as its reputation promised. That's how good this classic fatalistic French gangster film is.

The New York Times by Dana Stevens

A tough and touching exploration of honor and friendship among thieves.

TV Guide Magazine by Maitland McDonagh

Feels astonishingly fresh, filled with subtle performances and devastatingly understated images - Sautet's final shot of Davos alone in a Paris crowd is a killer.

Seattle Post-Intelligencer by Sean Axmaker

Sautet lets the film wander from Ventura's desperate odyssey, but when the irresistibly charming young Jean-Paul Belmondo enters the picture as an unflaggingly loyal ally, his wandering is forgiven.

Chicago Sun-Times by Roger Ebert

A crisp, smart, cynical film about dishonor among thieves.

Chicago Reader by Jonathan Rosenbaum

Terse and fatalistic.

Village Voice by J. Hoberman

Shot on city streets but unfolds in the world of the movies--in a Godardian touch that anticipates Godard, the Ventura character is identified by the cops as "an old pal of Pierrot le Fou." The new titles are flavorsome, and the restoration is up to Rialto's previous high standards.