A Monster Calls | Telescope Film
A Monster Calls

A Monster Calls

Critic Rating

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  • United Kingdom,
  • Spain,
  • United States
  • 2016
  • · 108m

Director J. A. Bayona
Cast Lewis MacDougall, Sigourney Weaver, Felicity Jones, Toby Kebbell, Liam Neeson, Ben Moor
Genre Drama, Fantasy

Conor, a twelve-year-old boy whose mother is terminally ill and who is bullied at school, finds an unlikely ally when a monster appears at his bedroom window one night. Ancient, wild, and relentless, the Monster guides Conor on a journey of courage, faith, and truth that powerfully fuses imagination and reality.

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What are critics saying?

100

The Playlist by Kevin Jagernauth

This beautifully structured fable may be focused on the specific pain, of a specific child, during a specific moment in time, but it blows up every fragment of its premise into heart-stirring universal appeal.

100

Tampa Bay Times by Steve Persall

J.A. Bayona's exquisite A Monster Calls blends pathos and sophistication, fairy tales and harsh realities into a small masterpiece.

91

Consequence by Marten Carlson

Mixing horror movie imagery with honest, heart-wrenching human truths, Bayona has created a dark, coming-of-age masterpiece.

91

Consequence of Sound by Marten Carlson

Mixing horror movie imagery with honest, heart-wrenching human truths, Bayona has created a dark, coming-of-age masterpiece.

90

The Verge by Bryan Bishop

J.A. Bayona has created an unforgettable, emotional experience with A Monster Calls, one that lets us grapple with our most basic human fears and worries, while lighting a beacon of hope that can shine through that darkness.

90

The Hollywood Reporter by John DeFore

The fact that not every terrible thing can be remedied or appropriately punished is a tough lesson even for adults to learn, but A Monster Calls helps find the sense in it.

90

Time by Stephanie Zacharek

Meticulously and sensitively made, though its best moments may be the lovely but intense watercolor-toned interstitial animated sequences that illustrate the monster’s thorny spiritual allegories, cartoons for grownups rather than for little ones.

90

Wall Street Journal by Joe Morgenstern

Do watch it on a big screen to take in all the beauty. A couple of flawless live-action performances share the screen with lovely animation, and with whatever digital magic spawned the monster — who looks like a tree, has molten sap, biteless bark, Liam Neeson’s voice and a face that reminded me of Boris Karloff.

90

New York Daily News by Edward Douglas

A lovely film and another impressive calling card for Bayona, who can mix genres in an innovative way like his former producer, Guillermo del Toro. He's created a deeply emotional film about loss that will probably have you crying by film's end.

88

USA Today by Brian Truitt

Monster offers a cathartic study in overcoming loss and traversing the fine line between childhood and adulthood under tragic circumstances.

88

Rolling Stone by Peter Travers

Evocative, mysterious and shot through with bruising humor and heartbreak, A Monster Calls gets you where you live and where there's no place to hide. There's magic in it.

83

The Film Stage by Jared Mobarak

This film thankfully isn’t a dramatic piece gunning for awards glory, but rather a heartwarming adventure through the emotional landscape of a child unsure how to live. It is very sentimental, but that’s kind of the point.

75

IndieWire by Eric Kohn

It’s a touching scenario, and one so well-acted and laced with superb special effects that even its more obvious beats cut deep.

60

Screen Daily by Graham Fuller

The abutting of Conor’s conscious and unconscious states justifies the pullulating images, but the film’s overwrought tone can grate.

60

Time Out London by Tom Huddleston

There's a gripping, dark, truly monstrous film lurking in here somewhere, but Bayona seems hell-bent on keeping it at bay.

60

The Guardian by Nigel M Smith

Ultimately, it tries a little too hard to wring those tears.

60

Screen International by Graham Fuller

The abutting of Conor’s conscious and unconscious states justifies the pullulating images, but the film’s overwrought tone can grate.

50

Variety by Peter Debruge

We’ve heard the same lesson countless times before in other movies, and though it’s certainly impressive to see Conor’s anxieties manifest themselves in such a stunning Ent-like being, as monsters go, Bayona’s creation is all bark and no bite.