Chicago Tribune by Michael Wilmington
Highly inventive, full of perverse touches and clever flourishes. [26 Nov 1999, p.A]
Critic Rating
(read reviews)User Rating
Director
Alfred Hitchcock
Cast
Herbert Marshall,
Edward Chapman,
Esme Percy,
Norah Baring,
Phyllis Konstam,
Marie Wright
Genre
Crime,
Mystery,
Thriller
When an aspiring actress is convicted of murder, one of the jurors selected to serve on the murder-trial jury believes the accused is innocent of the crime and takes it upon himself to apprehend the real killer. His search unravels a complex story.
Chicago Tribune by Michael Wilmington
Highly inventive, full of perverse touches and clever flourishes. [26 Nov 1999, p.A]
Entertainment Weekly
After the introduction of the titular crime and a proto-12 Angry Men jury scene, the film becomes a playful meta-commentary on the inherent silliness of watching actors go through the motions of detective work, with numerous charming visual embellishments.
Chicago Reader by Dave Kehr
Hitchcock was still marking out his territory at this point, and the film is heavy and vague around the edges. But it remains a crucial insight into the development of one of the cinema’s greatest artists, and so, essential viewing.
Entertainment Weekly by Wesley Stenzel
After the introduction of the titular crime and a proto-12 Angry Men jury scene, the film becomes a playful meta-commentary on the inherent silliness of watching actors go through the motions of detective work, with numerous charming visual embellishments.
Variety
Well photographed and mounted, it contains all the gadgets of the pet Alfred Hitchcock technique, from quick cutting to skillful dialog blending. The dialog is very well written. Long episodes have clever satirical values as attacks on the conventional and lower-class English.
Variety by Staff (Not Credited)
Well photographed and mounted, it contains all the gadgets of the pet Alfred Hitchcock technique, from quick cutting to skillful dialog blending. The dialog is very well written. Long episodes have clever satirical values as attacks on the conventional and lower-class English.
The New Yorker by Pauline Kael
It's more languidly paced than his mid 30s work, and the dialogue is spoken in stage rhythms, but there are inventive moments.
Screen Rant
Although Murder lacks some of Hitchcock's signature guile, it's still a fun mystery with one or two flashes of visual brilliance.
The New York Times
Although the final scenes in Murder...do not live up to many that have gone before and there is a strange absence of true psychology in these closing stretches, there are episodes in this picture that are possessed of considerable merit.
Screen Rant by Ben Protheroe
Although Murder lacks some of Hitchcock's signature guile, it's still a fun mystery with one or two flashes of visual brilliance.
The New York Times by Mordaunt Hall
Although the final scenes in Murder...do not live up to many that have gone before and there is a strange absence of true psychology in these closing stretches, there are episodes in this picture that are possessed of considerable merit.
Time Out
Is this not the most Hitchcockian title of all time? Even the exclamation point adds a certain parlor-game fustiness. It’s a pity that the movie’s only so-so.
Time Out by Staff (Not Credited)
Is this not the most Hitchcockian title of all time? Even the exclamation point adds a certain parlor-game fustiness. It’s a pity that the movie’s only so-so.
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