Chicago Sun-Times by Richard Roeper
A first-rate post-World War I drama with a heavy dose of sentiment and a gripping storyline.
Critic Rating
(read reviews)User Rating
Director
Russell Crowe
Cast
Russell Crowe,
Olga Kurylenko,
Yılmaz Erdoğan,
Cem Yılmaz,
Jai Courtney,
Ryan Corr
Genre
Drama,
War
In 1919, in the aftermath of his wife's suicide, Australian farmer Joshua Connor attempts to find his three sons, who were presumed dead in the Battle of Gallipoli four years earlier. Joshua travels to Turkey, navigating a country ravaged by trauma and continuing violence to find the truth about what happened to his children.
Chicago Sun-Times by Richard Roeper
A first-rate post-World War I drama with a heavy dose of sentiment and a gripping storyline.
Total Film
The film’s only let down by its too-frequent recourse to narrative cliché.
Total Film by Philip Kemp
The film’s only let down by its too-frequent recourse to narrative cliché.
New York Post by Sara Stewart
Crowe makes the most of his own quiet presence, and this ode to the world’s never-recovered soldiers and their families is a fitting meditation on the insanity of war.
TheWrap by Inkoo Kang
Crowe’s beauty-seeking, but exoticizing camera is slightly outmatched by his performance, which anchors the film with regret tinged with hope. But what continues to haunt after the credits finish rolling are the film’s explorations of the trauma of life after war: The brutally quick political shifts, the lingering shame of committing vicious and dishonorable acts, and the bitter knowledge that there’s no such thing as lasting peace.
Rolling Stone by Peter Travers
In The Water Diviner, Crowe strives to strike a universal chord about the futility of war. Simplistic? Maybe. But in crafting a film about the pain a parent feels after losing a child in battle, Crowe transcends borders and politics. It's not war being honored here, it's sacrifice and inconsolable loss. I'd call that a substantial achievement.
San Francisco Chronicle by Mick LaSalle
Crowe is not messing around here, not trying to dream up opportunities to throw himself another close-up. He’s a genuine director.
Screen Daily
The Water Diviner is a heart-warming tale of family, love and sacrifice told with four-square enthusiasm and manliness by director and star Russell Crowe.
The Hollywood Reporter
The film gives a lot of space to emotions, but Crowe reins in his outsized personality to contribute an affecting, understated performance and, as director, underplays the allegories, particularly the recurring water motif, so they seep through the narrative organically.
The Hollywood Reporter by Megan Lehmann
The film gives a lot of space to emotions, but Crowe reins in his outsized personality to contribute an affecting, understated performance and, as director, underplays the allegories, particularly the recurring water motif, so they seep through the narrative organically.
Screen Daily by Frank Hatherley
The Water Diviner is a heart-warming tale of family, love and sacrifice told with four-square enthusiasm and manliness by director and star Russell Crowe.
Arizona Republic by Bill Goodykoontz
The story takes some unexpected turns, which Crowe handles well, without overplaying them. Overall, The Water Diviner is a solid effort, a good, old-fashioned movie when it's not delving into soap opera.
Movie Nation by Roger Moore
The performances are moving and get the job done, and Kurylenko (“Quantum of Solace”) wins us over by the way she slowly lets Connor, her enemy, win her sympathy.
The Guardian
A handsome crowdpleaser with a big heart.
Time Out London by Cath Clarke
The Water Diviner is solid and old-fashioned.
Empire
It’s an odd mix of "Saving Private Ryan" odyssey and romantic melodrama. It has sincerity, sensitivity and is often ravishing to look at but is let down by a chocolate box love story. Still, Crowe still might have a "Braveheart"/"Dances With Wolves" in him yet.
Variety by Eddie Cockrell
An often capriciously mixed cocktail of war film and cross-cultural family melodrama, The Water Diviner marks an ambitious if emotionally manipulative directing debut for Russell Crowe.
Observer by Rex Reed
As a director, Mr. Crowe’s camera meanders all over the place; as an actor, he mumbles and growls his way through the carnage like it was nothing more important than a re-make of Gladiator, filmed on old sets from Gene Autry westerns.
Slant Magazine by Matt Brennan
In straining for the profound, the film ultimately loses its way in a veritable no-man's land of ill-conceived stylistic choices and narrative switchbacks.
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