Village Voice by Michael Nordine

Though quite silly, none of this feels self-reflexive or -satisfied. It delights in its own stupidity the way a dog rolls in dirt, but is nearly as difficult to get mad at after it muddies up the rug.

The New York Times by Andy Webster

Mr. Diez, a former effects specialist, skillfully blends viscous textures with cheesy digital flourishes. The screenwriter, Adam Aresty, also earns points for the dialogue’s blithe hit-or-miss humor. But it’s Tilman Hahn’s sound design, with its unsettling buzz, that will burrow most unforgettably into your memory.

Slant Magazine by Chuck Bowen

The filmmakers maintain a tone that's mostly ideal for the contemporary equivalent of a drive-in movie: of reverent, parodic irreverence.

The Hollywood Reporter by John DeFore

Diez's effects teams have tremendous fun with the gory ways they tear through their hosts' bodies when it's time to leave the chrysalis behind.

Variety by Dennis Harvey

In a movie that should have gone for funnier or scarier (ideally both), there’s way too much eventual emphasis on the leads’ uninspired evolving romance.

The A.V. Club by Jesse Hassenger

Paul and Julia can rescue each other, but they need more help pulling Stung out of "Tremors" and "Party Down"’s combined shadow.

Los Angeles Times by Martin Tsai

Unfortunately, the human relationships depicted here are less credible than the solid special effects.

RogerEbert.com by Simon Abrams

Until tepid animal-attack flick Stung, I had never thought to wish for a horror movie protagonist to not be rewarded with a make-out session at film's end.

New York Daily News by Joe Neumaier

Director Benni Diez tries for schlock shocks in this giant-bug flick. Sadly, what’s left out here is the fun.