Alila | Telescope Film
Alila

Alila

Critic Rating

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User Rating

This engaging drama follows the lives of a half dozen residents of a run-down Tel Aviv apartment building, exploring the loneliness and deep need for connection that exists behind the closed doors of those living on the margins.

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What are critics saying?

75

New York Post by V.A. Musetto

Gitai's characters are meant to represent the Israeli people as a whole. Just as they question their lives, the filmmaker questions 21st-century Israel.

70

Variety by David Rooney

An ensemble drama laced with lighter moments that depicts the vitality, resilience and moral dilemmas of the people of Tel Aviv, the film is absorbing and at times moving.

63

The Globe and Mail (Toronto) by Liam Lacey

Almost a comedy, though not an entirely successful one: It's too acerbic to be funny and too detached to be really moving.

60

Los Angeles Times by Kenneth Turan

The film's drawback, and it is a serious one, is that few of its characters wear very well. The more we see them, the less they involve us and hold our interest, a situation not helped by the bombastic, theatrical style of acting a few of the performers have felt free to employ.

60

The New York Times by Stephen Holden

The movie...tries to juggle too many characters at once (its title means "story plot" in Hebrew), and in several cases their connections aren't adequately explained.

60

Village Voice by Michael Atkinson

Israel's one-man new wave, Amos Gitai, surveys his nation's hardscrabble quotidian in Alila, which dallies with both Kiarostamian spirit and Altman-esque fabric, examining the intersecting lives of a dozen or so Tel Aviv residents.

50

L.A. Weekly by Ella Taylor

Though absorbing enough, Alila must be counted a noble failure, if only because its efforts to follow the screwed-up lives of 12 hapless souls in a seedy Tel Aviv apartment building finally add up more to mere mimicry than commentary.

50

The Hollywood Reporter by Frank Scheck

Ultimately lacks the textural depth and emotional precision that marks the work of obvious influences here like Robert Altman, but it does offer a pungent slice of contemporary Israeli life that should prove resonant for audiences interested in the social complexities of the region.

50

TV Guide Magazine by Ken Fox

Gitai's film is an interesting, if not entirely successful, adaptation of an excellent book.