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France, Italy · 2009
1h 40m
Director Mona Achache
Starring Josiane Balasko, Garance Le Guillermic, Togo Igawa, Anne Brochet
Genre Comedy, Drama
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Paloma is a serious and highly articulate but deeply bored 11-year-old who has decided to kill herself on her 12th birthday. Fascinated by art and philosophy, she questions and documents her life and immediate circle, drawing trenchant and often hilarious observations on the world around her. But as her appointment with death approaches, Paloma finally meets some kindred spirits whom inspire Paloma to question her rather pessimistic outlook on life.
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Although the conceit of an ever-so-erudite child palling around with an exceedingly wise concierge might be workable in a novel, cinema tends to realism, and Achache is too much of a novice to bring it off. The cuteness grates, and the setups and philosophizing are generally unconvincing.
Mona Achache's character study plays like a Gallic version of a Sundance flick, complete with on-the-nose references - Igawa's character is named Mr. Ozu - and just enough offbeat touches to make it seem more deep than it actually is.
New York Daily News by Elizabeth Weitzman
Writer/director Mona Achache adapts Muriel Barbery's novel, "The Elegance of the Hedgehog," loosely but skillfully, creating an intimate portrait that resounds with empathy. Comedy and tragedy are given equal respect, and even the quietest souls are valued.
Gentle, tender and very French, The Hedgehog is cinematic poetry -- too bad about that prosaic plotting.
Perhaps the ending worked better in the book, Muriel Barbery's The Elegance of the Hedgehog, which sold more than a million copies in France. Certainly this adaptation, Mona Achache's directorial debut, is a very bookish movie.
Village Voice by Melissa Anderson
Watching Balasko, a veteran actor-writer-director in thick-browed, frumped-up drag, sitting at her kitchen table reading Tolstoy and nibbling on dark chocolate with a cat in her lap, is one of The Hedgehog's purest delights. At the very least, it provides relief from the prating of that junior wisenheimer.
Slant Magazine by Nick Schager
The Hedgehog ultimately illuminates only the continued lameness of employing out-of-leftfield tragedy for cheap bathos.
Orlando Sentinel by Roger Moore
The sweet, the comic and the tragic blend together most agreeably in the winsome French romance The Hedgehog.
Boxoffice Magazine by Sara Maria Vizcarrondo
Contrary to all of my bitter nudging, I found both sweet and charming. It's just me: I hate precocious children.
The New York Times by Stephen Holden
At times The Hedgehog suggests a Gallic "Harold and Maude," with an intellectual gloss as it celebrates the life force passed from an older generation to a younger. But its concept of vitality isn't the popular cliché of kicking up your heels, breathing deeply and gorging on ice cream. It is an aesthete's ideal of pursuing moments of ecstatic perfection in art and companionship.
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