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A former actress with a secret returns to Seoul to live with her sister in a high-rise apartment. After considering a return to acting, she meets with a young director who asks her to join his project.
A body of work like components of a house: one film is a corridor, another a small bedroom window. Others are the structural backbone. A looming jewel of a career, right in front of your face.
Typical of Hong’s work, the laid-back anti-storytelling lets daily life flow slowly by without incident, until a revelatory twist in the last act gives the film its meaning. It will certainly appeal to his festival fan base but neophytes beware: It takes patience to get to hidden truths, and even so they are about as clear as a Zen koan.
Despite being shot during the pandemic, In Front of Your Face is one of the South Korean director’s most open films of late, poignant in its use of a simple structure to touch on the eminently difficult question of how to live happily between past, present, and future.
Hong’s film and his radiant star are not made for melancholy, and so instead they laugh — at the absurdity of hoping for some castle in the air when there’s so much life all around you, always, right in front of your face.
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Slant Magazine by Chuck Bowen
The Film Stage by David Katz
The Hollywood Reporter by Deborah Young
The Playlist by Elena Lazic
Variety by Jessica Kiang
Screen Daily by Lee Marshall