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Brazil · 2012
2h 11m
Director Kleber Mendonça Filho
Starring Maeve Jinkings, Irandhir Santos, Gustavo Jahn, W.J. Solha
Genre Drama, Thriller
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Life in a middle-class neighbourhood in present day Recife, Brazil, takes an unexpected turn after the arrival of an independent private security firm bringing with them a sense of safety as well as anxiety. A slice of ‘Braziliana’, a reflection on history, violence and noise.
A tightening of the two-hour-plus running time might have enhanced the balance between Filho's epic, evocative style and his smaller story about a certain mode of modern life, its lonely confrontations, and the stubborn legacies of the past.
The New York Times by A.O. Scott
With his sound designer, Pablo Lamar, Mr. Mendonça has created the aural landscape of a horror movie. And, for much of its running time, a thriller without a plot.
Superbly judging tonal shifts and juggling disparate storylines, this snapshot of a Refice street reveals the class, gender, racial and historical fissures in Brazilian society, while also making for riveting drama right down to the shocking sting in the tail.
Filho so completely calculates his causes and effects, even going so far as to have the villain of the piece literally swimming with sharks, that you never fully feel the senses-altering charge of a truly impassioned polemic.
Los Angeles Times by Robert Abele
[Filho's] mastery of pacing, theme and stylistic eccentricity throughout Neighboring Sounds is so assured as to be breathtaking. Don't miss it.
The beauty of the film is how organically its themes are presented - it's a slice of life that comes about its sweeping ideas with surprising delicacy.
Neighboring Sounds unfolds like a casual nightmare in the light of day.
The film leisurely unfolds as a series of vignettes about class distinctions and crime, with an unexpected ending. It is beautifully filmed in CinemaScope and strongly acted (especially by Solha), and makes for mesmerizing viewing.
Godard mixes up politics, love and the workers plight, with the struggles of filmmaking, in his cheeky brand of art.
Sometimes staying put is the greatest challenge.
When a restaurant owner is the victim of an attempted armed robbery, he takes everyone hostage – the criminals, but also his staff and his customers.