The Dreamers

The Hollywood Reporter by

The film's real failure is that neither the story nor the characters capture the zeitgeist that Bertolucci theoretically set out to celebrate.

The New Yorker by David Denby

Bertolucci is trying hard to shock us with this stuff, but, for all the perversities and the abundant nudity, the movie has an air of inconsequence about it. [9 February 2004, p. 74]

Variety by David Rooney

The whole spirit of rebellion, passion and protest that should be a driving force for the characters plays more like a cultivated affectation.

Village Voice by J. Hoberman

The Dreamers is bad, but unlike the similarly camped-up "Little Buddha" or "Stealing Beauty," it's not exactly boring.

The A.V. Club by Keith Phipps

The Dreamers is a universal story, one that captures the thrill of discovering culture, sex, and politics, and the painful twinge of learning that those worlds aren't enough.

Film Threat by Kevin Carr

It wasn't as good as the films it cites, but at least it didn't bore me.

Entertainment Weekly by Owen Gleiberman

In The Dreamers, Bertolucci wants to take us back to a more revolutionary time, but mostly he ends up recalling the faded revolution of his own glory days.

New York Magazine (Vulture) by Peter Rainer

He doesn’t entirely succeed, but the attempt has poignancy: As uneven as much of his recent work has been, Bertolucci's still in love with the movies, and his ardor--if not always the ends he puts it to--is exhilarating.

Rolling Stone by Peter Travers

The Dreamers may go slack when you most want it to soar, but it also seduces with eroticism and resonates with ideas.

Time by Richard Schickel

Dispassionate, curiously lifeless, lacking the energy of either youthful commitment or a deeply engaged re-examination of the past.