Villain

Time Out by

At first glance, actor-turned-director Philip Barantini’s Villain looks like a box-ticking exercise in Laandan gangsterism. But it’s not. By playing it completely straight, it avoids campy Guy Ritchie clichés.

Variety by Dennis Harvey

Actor Philip Barantini’s first directorial feature is nothing wildly original in content or style. Still, it punches both elements across with a satisfying low-key confidence, and does not shrink from occasionally letting things get pretty rough.

The Hollywood Reporter by Frank Scheck

To say it's unoriginal is an understatement. Nonetheless, Villain exerts a powerful pull, thanks both to the effective use of gritty East London locations and the terrific lead performance by Craig Fairbrass, displaying his intimidating physical presence and simmering, low-key charisma. The veteran actor keeps the film percolating despite its overfamiliar aspects.

The New York Times by Jeannette Catsoulis

The result is an exceedingly well-made first feature, a simple genre movie elevated by strong visuals, potent performances and a mood that falls somewhere between resignation and guttering hope.

The Guardian by Leslie Felperin

Sometimes a seemingly unprepossessing genre film comes along that has finer qualities than you would expect. Such is the case here.

RogerEbert.com by Simon Abrams

Villain is the kind of stiflingly reverent genre picture that is so beholden to its main characters’ pity-me worldview that its predictably downbeat ending feels like the kind of hero worship that you often find in either a cloying biopic or a hidebound true crime adaptation.