More disgusting than scary, The Ruins is the latest in a long line of horror films about upper-middle-class travelers being terrorized in unfamiliar environments.
What are people saying?
What are critics saying?
Ultimately less dependent on suspense or even scares than on squirm-inducing grossouts, this tale of Yank hardbodies vs. carnivorous creepers should flower briefly in hardtops, then spread like an invasive weed in ancillary.
ReelViews by James Berardinelli
In order to appreciate The Ruins, one has to be a die-hard fan of horror or bloody thrillers. Those in that category will discover that The Ruins delivers the goods.
Smith has changed a few plot points around to keep readers who already know the secret of the ruins guessing, and to some extent the strategy works. There was, however, no reason whatsoever to change the book's perfect endings.
The Hollywood Reporter by Kirk Honeycutt
In the end, the gimmick is too risible and its effects on the characters too forced to sustain either suspense or horror.
The movie doesn't do anything with these viney bastards. There's no back story, no satire, no allegory, no implications beyond what's happening on the pyramid.
Miami Herald by Rene Rodriguez
The Ruins is, with one major caveat, about as good an adaptation of Scott Smith's bestselling novel as Hollywood was ever going to make.
Director Carter Smith suffers from another, more common problem: In trying to squeeze every plot point from the book into a 90-minute movie, he failed to capture its chilling essence.