Kill List

Slant Magazine by

It's a road movie of sorts, like the Steve Coogan/Bob Brydon comedy The Trip, only with fewer expert impressions and more inept executions, but lovely scenery just the same.

New York Magazine (Vulture) by David Edelstein

The final twist is both baffling and repulsive, but as an evocation of the triumph of evil, it's peerless.

New York Daily News by Joe Neumaier

It would be easy to say that the final minutes of this mixed-up thriller make everything before it meaningless, but that would indicate the odd conclusion has meaning, too.

Time Out by Joshua Rothkopf

There's still tremendous vitality here, and Wheatley's avoidance of yet another Guy Ritchie gabfest is a pleasure in itself.

Movieline by Stephanie Zacharek

Wheatley drops enough unnerving bread crumbs in the first two-thirds to leave you wondering where the hell he's headed, and even the big finale should be satisfying enough: It just belongs to a different movie, and it's unsettling in a way that doesn't feel earned.