Pink Wall

Empire by

It’s not the first of its kind, but compelling performances allow this portrait of a romance a genuine sense of passion. Under Tom Cullen’s sensitive, empathetic direction, this deeply felt picture never loses sight of its people.

IndieWire by David Ehrlich

There may not be much to “Pink Wall” that you haven’t seen in a dozen other indies about millennials in crisis, but Cullen’s woozy and ultra-watchable debut plunges straight into the heart of the matter, and leaves you wondering what parts of your own relationship might be just beyond your field of vision.

The Playlist by Kimber Myers

Though “Pink Wall” rarely breaks new ground in its focus on the evolution of a couple’s relationship, Cullen’s truly raw, intimate approach helps it feel fresher than it might have otherwise.

The Guardian by Peter Bradshaw

Pink Wall can be a bit contrived at times, with situations that have been rather effortfully created. But there are strong, forthright performances from Maslany and Duplass as the lovers who were never meant to be.

Time Out by Phil de Semlyen

You get why the pair would fall for each but you also get where the faultlines lie. Cullen maps it all out in an impressive, touching debut.

Screen Daily by Sarah Ward

The notion that lives and loves are forged and defined in everyday moments isn’t unique; however it feels both accurate and earned here.

The Observer (UK) by Simran Hans

Maslany is magnetic, her coiled fury and sexual energy threatening to erupt as her placid partner plods along beside her.