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United Kingdom, United States, France · 2013
Rated R · 1h 41m
Director Danny Boyle
Starring James McAvoy, Vincent Cassel, Rosario Dawson, Danny Sapani
Genre Crime, Drama, Mystery, Thriller

Simon, a fine-art auctioneer, steals a priceless painting. During the mission he suffers a head injury and awakes with no memory of where he hid the artwork. When torture fails to break through his amnesia, his boss hires a hypnotherapist to find the answer. Soon, the lines between truth and deceit start to blur.

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A shapelessly propulsive mess of pop psychology and poor drama.


IndieWire by Eric Kohn

Boyle's filmmaking style has a marvelous rhythm that weaves pop sensibilities into fluid and persistently exciting narrative experiences; he shakes these ingredients like colored sand in a jar, leading a fascinating degree of discombobulation.


Empire by Kim Newman

Though it rings ever so slightly hollow as cool shades into callousness, this exercise in sexy suspense and brain-scrambling mystery is a dazzling, absorbing entertainment which shows off Danny Boyle’s mastery of complex storytelling and black, black humour.


The Playlist by Oliver Lyttelton

The film's not merely content with being a twisty psycho-thriller. Boyle and Hodge expertly tweak and tinker with your sympathies, and the characters you initially peg as heroes and villains may not be in the same place by the time things wrap up.


The Guardian by Peter Bradshaw

Trance is a disappointment: a strident, chaotic, frantically overcooked film with an almost deafeningly intrusive ambient soundtrack. There is some embarrassing, eyeball-swivelling acting from the male leads, and the elegance of the film's premise is quite obliterated by its crude and misjudged violence.


Variety by Peter Debruge

A trippy variation on the dream-within-a-dream movie, Boyle’s return-to-form crimer constantly challenges what audiences think they know, but neglects to establish why they should care.


McClatchy-Tribune News Service by Roger Moore

For all its plot trickery, mind science and relationship square dancing, Trance doesn’t have the emotional tug or technical pizzaz of Boyle’s best films – “Slumdog Millionaire,” “Trainspotting” or “127 Hours.”


The Hollywood Reporter by Todd McCarthy

Danny Boyle has great and plainly evident fun adding twists and curves and tunnels and endless style to his modern London noir Trance, but he makes so many left turns that the film turns in on itself rather than going anywhere.

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