Circumstance

The New York Times by A.O. Scott

Though it lacks the artful, headlong immediacy of "The Circle" and "Offside," Jafar Panahi's films about women in Tehran - and the breakneck exuberance of Bahman Ghobadi's "No One Knows About Persian Cats," about Tehran's underground music scene - Circumstance ripples with the indignant energy of youthful rebellion.

Time Out by David Fear

The closer this parable inches toward tragedy, the more you can feel the gap between good intentions and generic exotica-grandstanding widening into an unbridgeable chasm.

The Hollywood Reporter by James Greenberg

Overall this is an impressive debut from a filmmaker with something to say and the talent to say it.

New York Daily News by Joe Neumaier

Keshavarz's vision is clear and heartfelt, and everyone has an urgency in their eyes.

Wall Street Journal by John Anderson

This is a movie about longing, desire, desperation and the abandonment of principle - quite a collection of themes, all universal.

Entertainment Weekly by Lisa Schwarzbaum

Here, love and attraction between two teenage girls put them on a collision course with Tehran society in general and one girl's troubled, increasingly religious brother in particular.

NPR by Mark Jenkins

Circumstance is best during its simpler, more naturalistic moments. In one, Mehran rebuffs a junkie who stumbles into the mosque, only to see that an Islamic hardliner is more compassionate.

Village Voice by Melissa Anderson

Keshavarz's earnest, well-intentioned first feature on women's oppression in Iran has trouble resisting its own heavy hand.

Slant Magazine by Nick Schager

Since Mehran's embrace of hardline Islam is never dramatized or elaborated on in any insightful way.

The A.V. Club by Sam Adams

Perhaps it's unfair to compare Circumstance to the very different "Persepolis," but it's hard not to drift off to Marjane Satrapi's more pungent and personally inflected evocation of the same terrain, in which the characters are as vivid as their surroundings.