50
Colorful and at times quite lively, but I wish it were funnier and its satirical edge a bit sharper.
What are people saying?
What are critics saying?
60
Unlike satires that coast on winking self-satisfaction, Anusha Rizvi's debut is both a heartfelt and a genuinely funny skewering of India's convoluted caste-consciousness.
80
Los Angeles Times by Gary Goldstein
The ambitious Peepli Live manages to mine substantial dark humor from this tragic situation while offering pointed - and sometimes poignant - social commentary in the process.
60
New York Daily News by Joe Neumaier
Peepli Live may not consistently hit the mark, but it's savvy and humane, which goes a long way.
90
The Hollywood Reporter by Kirk Honeycutt
A satisfying comic gem.
60
Peepli Live opens out slowly to encompass several factions of Indian society, including the press, local, state, and federal politicians, and the shady elements binding them all together. It's a meticulously engineered design that a show like The Wire took several years to execute; here the strain shows within the first half hour.
70
The New York Times by Rachel Saltz
The writer-director Anusha Rizvi, making her feature debut, shoots her story efficiently and with visual panache, but after a compelling setup her script runs out of juice.
80
Debuting writer-director Anusha Rizvi manages to wrest a lively feature out of a gravely serious issue, capturing the desperation of India's village farmers, as well as the nation's shift from agriculture to industrialization, without losing sight of the entertainment principle.
60
Boxoffice Magazine by Tim Cogshell
The juxtaposition of the tragedy and the lunacy of the circumstances are not completely disparate; satire is an appropriate weapon here, but it's the drama in Peepi Live that truly resonates.