The Absent One(Fasandræberne)

The Guardian by Benjamin Lee

An awful number of cliches are being ticked off here (the Fincher-esque lighting, the dogged and socially inept cop), but it’s a diverting potboiler for crime drama completists.

CineVue by John Bleasdale

The performances are fine across the board and Nørgaard keeps things moving efficiently, but this is stylish but televisual fare, ram-packed with familiar hardboiled and shopworn tropes.

Time Out London by Kate Lloyd

This Danish crime thriller is so dark and stormy it will leave you dazed as the credits roll.

The New York Times by Ken Jaworowski

The Absent One finds Mr. Kaas as watchable as before, though a few well-intentioned attempts to lighten up his character — an orphaned cat is brought in, a speech about his motivations is given — are clumsily executed, and instead divert from his terse and magnetic personality.

Total Film by Kevin Harley

Lie Laas' furrowed lead and Nørgaard's taut orchestration of flashback-pumped plotting help flesh out old clichés – at least until the climax takes a glum turn for the overwrought.

Los Angeles Times by Michael Rechtshaffen

The success of “The Absent One,” like its Department Q predecessor, ultimately rides on the shoulders of Kaas’ intriguing Morck.