Christian Science Monitor by David Sterritt
Makhmalbaf continues her rise as Iran's most promising young female filmmaker, and Iranian cinema extends its reign as one of the world's most exciting cultural phenomena.
✭ ✭ ✭ Read critic reviews
Iran, Italy, Japan · 2000
1h 28m
Director Samira Makhmalbaf
Starring Said Mohamadi, Behnaz Jafari, Bahman Ghobadi, Mohamad Karim Rahmati
Genre Drama, History, War
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During the Iran-Iraq War, nomadic Kurdish teachers Said and Reeboir travel with blackboards strapped to their backs, searching for students amid the chaos. Though they find some pupils among the dispossessed, danger is always near. Is there room for education when survival is of the essence?
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Christian Science Monitor by David Sterritt
Makhmalbaf continues her rise as Iran's most promising young female filmmaker, and Iranian cinema extends its reign as one of the world's most exciting cultural phenomena.
Blackboards is both shrill and soporific, and because everything is repeated five or six times, it can seem tiresomely simpleminded.
New York Daily News by Jami Bernard
Director Samira Makhmalbaf made this raw and effective parable with the recognizable help of her father, legendary director Mohsen Makhmalbaf.
A fascinating allegory of life in Iranian Kurdistan, a remote borderland still deeply scarred by years of war with Iraq.
About as much fun as a grouchy ayatollah in a cold mosque.
The Globe and Mail (Toronto) by Rick Groen
We've got the trademark elements but not their magical bonding, and the result is a selection of scenes in search of a movie.
Episodic and minimalist to a fault, Blackboards makes its ironic point about education, then makes it again a few times over for good measure, rarely expanding beyond its narrow seriocomic agenda.
Seattle Post-Intelligencer by Sean Axmaker
The stripped-down dramatic constructs, austere imagery and abstract characters are equal parts poetry and politics, obvious at times but evocative and heartfelt.
The New York Times by Stephen Holden
An indelible and ultimately moving vision of humanity buffeted by the elements and by international political tides.
Makhmalbaf finds room for moments of humor and humanity.
The game has come full circle
There are no more patriots, just rebels and tyrants.
When Satoko probes into her husband's recent strange behavior, she discovers he stumbled upon a horrifying national secret