40
The first of Spielberg's films to make us feel heavy in our seats, the first to leave us sitting, passive and uninvolved, on the outside. Watching it, you feel that nearly anyone could have directed it.
What are people saying?
What are critics saying?
75
Fully up to, as well as virtually indistinguishable from, its predecessors… The guarantee of Indiana Jones is that the pace never varies and the tone never changes; when you've had enough, you can feel free to leave. [24 May 1989, Tempo, p.1]
20
Chicago Reader by Jonathan Rosenbaum
Mechanical, soulless.
100
San Francisco Chronicle by Mick LaSalle
It's a beautiful machine, thought out and revved up to the last detail, with no other purpose but to delight - and it delights. [24 May 1989, Daily Notebook, p.E1]
88
The relaxed and confident Crusade is the first Jones outing to benefit from actual characterizations. [24 May 1989, Life, p.1D]
50
The New Yorker by Pauline Kael
The action simply doesn't have the exhilarating, leaping precision that Spielberg gave us in the past... The joyous sureness is missing. [12 June 1989]
88
Chicago Sun-Times by Roger Ebert
It is just as well that Last Crusade will indeed be Indy's last film. It would be too sad to see the series grow old and thin, like the James Bond movies.
60
Los Angeles Times by Sheila Benson
You can't roll monstrous boulders straight at audiences any more and have a whole theater-full duck and gasp with fright--and pleasure. We may be plumb gasped out. And although Harrison Ford is still in top form and the movie is truly fun in patches, it's a genre on the wane. [24 May 1989, Calendar, p.6-1]
60
The New Republic by Stanley Kauffmann
More amusing than exciting. [19 June 1989, p.28]