The idea for this satirical adventure is so bright, it's a real pity that the picture doesn't hold up, even with some truly hilarious moments, specifically wisecracks, courtesy of Woody Allen and a battery of six comedy writers.
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Funny in places but not Allen's best writing...and its difficult to get beyond the conceit.
Chicago Reader by Jonathan Rosenbaum
Arguably Woody Allen's funniest movie. A riotous object lesson in how much dialogue can transform visuals, and Allen works wonders with it.
When it does work, it's very funny, and worth a look both as an example of Allen's still-developing talent and—thanks to The Lovin' Spoonful—as the source of one of the greatest rock 'n' roll title songs ever to come out of a decade filled with excellent rock 'n' roll title songs.
Projects like this are invariably hit-or-miss, and Tiger Lily misses more often than it hits. Flashes of Allen's wit surface occasionally, particularly during bits in which he appears as himself, but they're few and far between, and generally drowned out by silly voices, a surprising amount of awkward silence, and pacing that makes the film seem much longer than its 80 padded minutes.