Preserves much of the novel's intricacy and human drama, perhaps due to Salman Rushdie's involvement as co-screenwriter, even if it remains singularly unremarkable from a cinematic perspective.
What are people saying?
What are critics saying?
Village Voice by Alan Scherstuhl
Even if you've read the novel, and are prepared for the long running time and haphazard structure, this isn't a movie you should expect to feel or even closely follow. See it if Midnight's Children is a novel you always wanted the gist of.
New York Daily News by Elizabeth Weitzman
To be sure, there are many reasons to see the film. The cinematography is memorably vibrant, and the performances are solid, even if they pass by too swiftly. Most of all, of course, the subject matter remains fascinating.
A miniseries, which the BBC once planned, might have worked. In this form, Midnight’s Children has the paradoxical misfortune of being both too rushed and too wearingly long.
At times Midnight's Children balances off its earnestness with a sweeping view of history and tangible human drama, but the allegorical qualities of Rushdie's novel fail to translate as anything but a shrill, on-the-nose instance of thematic overreaching.
Thanks to Rushdie's sensitive handling of his own material, this is an adaptation big in both ideas and heart.
The Guardian by Peter Bradshaw
The movie's pace flags a good deal once Bangladesh has been born in 1971, and the adult characters are much less interesting than their child counterparts, but there's enough here to entertain – and to send audiences back to the book.
It’s a vibrant journey, but not a terribly illuminating one.
The New York Times by Rachel Saltz
The film needs an injection of Bollywood’s unembarrassed, anything-goes, bigger-than-life spirit, which embraces willy-nilly — as does Mr. Rushdie’s novel — the vulgar, the fanciful and the frankly unbelievable.
The Hollywood Reporter by Stephen Farber
Despite the solid work of cast and crew, the film dawdles and fails to justify its two-and-a-half-hour running time. Midnight reaches its tender conclusion without ever achieving the emotional or dramatic heft that such an epic tale requires.