Joyride

Time Out by

If you’re able to look past the police’s bizarre inaction, Mully’s implausibly excellent driving skills and the schmaltzy score, there are moments of fun to be had.

The Independent by Clarisse Loughrey

It’s hard to treat Joyride just as a pleasant but easily disposable romp, especially when Reynolds loads up the film with so much cheap symbolism.

The Irish Times by Donald Clarke

There is nothing much to actively dislike here. Reynolds, a hugely experienced editor who won an Emmy for directing the superb documentary The Farthest, keeps the energy high and allows her fine cast to exercise all muscles. But Joyride feels like old-fashioned stuff.

Empire by John Nugent

It doesn’t always successfully balance its comic and poignant tones, but yet another powerhouse performance from Olivia Colman makes Joyride a disarming experience.

The Guardian by Peter Bradshaw

Every actor involved sells it hard and it’s good natured, but the unbelievability factor is just too high.