Wanted

Austin Chronicle by

With every bit of sliced flesh and every punctured skull I found myself wondering who exactly this movie is for. Its unflinching violence has earned it an R rating, meaning its desired demographic – teenage boys – is out of contention. That raises the question: Are there really adults who want to sit through this kind of mindless, bullying mayhem?

The New Yorker by Anthony Lane

As nonsense goes, this has a certain gusto and glee, and what dismayed me was that Bekmambetov felt the need to spice it with the addition of coarsely chopped violence.

Newsweek by David Ansen

Wanted has one good plot twist in store (though it makes little sense), and its sense of humor about its own silliness keeps the fantasy afloat for a while. But as the body count rises, so does the portentous tone, and the relentlessness of Bekmambetov's overamped style becomes oppressive.

New York Magazine (Vulture) by David Edelstein

It takes about an hour after it's over for the heart to slow, the brain to recalibrate, and the nonsensicalness of the thing to sink in.

Empire by Kim Newman

Not as dark as its source material, Wanted works exceptionally on its own terms. McAvoy crashes the A-list, Jolie finally gets to be as big a star on screen as she has been in print, and Bekmambetov proves the most exciting action-oriented emigré since John Woo.

The Hollywood Reporter by Michael Rechtshaffen

This over-the-top, ultraviolent, hyperkinetic action thriller pretty much has it all.

Rolling Stone by Peter Travers

Brutal, sexy, built to thrill and minus a scintilla of redeeming social value, the movie -- based on a series of comic books by Mark Millar and J.G. Jones -- explodes like summer fireworks.

Variety by Todd McCarthy

Like it or not, Wanted pretty much slams you to the back of your chair from the outset and scarcely lets up for the duration.