Offering a romanticized view of heroism drawn from the Hollywood war epic, Memphis Belle is unashamedly commercial. Its moral fabric is thinner than that of other David Puttnam productions.
What are people saying?
What are critics saying?
Washington Post by Desson Thomson
Monte Merrick's script is an unspectacular, cliche-riddled voyage from start to finish, with everyone lugging their own tote-bags of facile character idiosyncrasies.
All of the actors acquit themselves admirably, especially Stolz, who has a star's low-key magnetism, and the jazz stylist Harry Connick Jr., who makes his acting debut here as the drawling rear gunner. But the roles are too generic for anything like real depth. The fight scenes are about what you'd expect; they're competently shot, but even when they deliver thrills, every scene, every passage, is familiar. We've seen it all before.
Entertainment Weekly by Owen Gleiberman
The characters in Memphis Belle may have ethnic names, but in spirit the actors are all playing WASPs — fresh-faced, pretty-boy WASPs, the kind that make the little girls swoon. It’s Dead Poets Society Goes to War.
Rolling Stone by Peter Travers
The vigorous young cast enhances the excitement of the flight sequences, which are spectacular. Movie rah-rah has rarely been this entertaining.
Chicago Sun-Times by Roger Ebert
Despite everything I have said, I found Memphis Belle entertaining, almost in spite of my objections. That's because it exploits so fully the universal human tendency to identify with a group of people who are up in an airplane and may not be able to get down again.
Los Angeles Times by Sheila Benson
In the air Memphis Belle is unstoppable, giving us--earthbound and safe--a clear-eyed look at the nuts and bolts of bravery.
The New York Times by Vincent Canby
The direction by Michael Caton-Jones, the Englishman whose first theatrical feature was Scandal, is undistinguished here, but the material is not great.
A sentimental drama that's 'good in the air' and something of a throwback to war films of old.