Keeps such a lazy pace, with so many scenes that fail to move the story forward, that it should be cited for failing to meet the minimum speed for a crime drama.
What are people saying?
What are critics saying?
A flinty, almost hardhearted work about characters who have lost almost everything in pursuit of some undefinable abstraction, like honor or their country or doing the right thing. It's an impressive film, but don't expect any warm fuzzies.
New York Daily News by Jack Mathews
On the surface, Le Petit Lieutenant is propelled by the search for two Russians somehow responsible for a pair of murders along the Seine. And though that's a pretty mundane setup for an urban drama, it serves nicely in allowing us to get to know the haunted Caroline and the impetuous Antoine.
The only thing that enlivens Beauvois' anti-thriller is Baye's beautiful performance.
The New York Times by Manohla Dargis
Le Petit Lieutenant embraces the spectrum of human drama and comedy, and like a lot of French films it is keenly involved with the everyday pulse of work.
Village Voice by Michael Atkinson
Beauvois, who co-wrote, seems hellbent on making the most realistic cop film of all time, shruggingly consumed with downtime, small talk, minor incident, and dead ends, and he's succeeded--the narrative wouldn't have cut it in a Kojak story meeting.
Christian Science Monitor by Peter Rainer
Nathalie Baye is remarkable in Le Petit Lieutenant where she plays Caroline Vaudieu, a Parisian police inspector who returns to her post after a bout with alcoholism following her child's death.
The Hollywood Reporter by Sheri Linden
The drama's moments of cinematic power more than compensate for the slow-moving stretches that don't connect, and its characters will stay with viewers long after the lights go up.