I can't help but be struck by the stark cultural differences in the portrayal of family life, particularly the relationships between women and men. The characters Majidi draws of children and their fathers are rich: sometimes combative, always loving and textured. But the mothers never truly emerge from the background.
What are people saying?
What are critics saying?
This latest film from Iranian director Majid Majidi has the same combination of quiet contemplation, whimsy and tragedy that made his "Children of Heaven" an international smash a decade ago.
Naji is an expressive actor, and so are the wonderful young non-pros who play his children.
Wall Street Journal by Joe Morgenstern
The Song of Sparrows becomes a parable of corruption, catastrophe and eventual redemption. Mr. Majidi's tale wasn't meant to be timely, of course, but the shoe fits, and the film wears it well.
The New York Times by Stephen Holden
Although The Song of Sparrows has some of the trappings of a naturalistic drama, it is really a series of strict moral lessons pieced together into an austere Islamic sermon.
The A.V. Club by Tasha Robinson
It's easier to find enjoyment in Sparrows on a moment-by-moment basis than to swallow its message whole, but that method squares just fine with Majidi's aesthetic, in which tiny, quiet joys are the best kind.
As usual with Majidi, the cinematography is super (best scene shows Karim, disguised as an ostrich, in pursuit of an escaped bird) and the acting is realistic and low-key.