70
A finely balanced piece of comedic machinery.
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What are critics saying?
40
Bruni-Tedeschi is her usual radiantly libidinal presence, but channeling Bette Midler doesn't become her, and even she can't redeem all the redundant vaudeville carry-on.
63
New York Daily News by Jami Bernard
You know this movie is French (apart from the subtitles), because everyone looks great, gets naked and later breaks into a peppy musical number about the joys of lobster and shellfish.
50
In Ducastel's and Martineau's hands all the unpleasantness blows away like a kiss on a soft summer breeze, a light wind that nevertheless leaves a vaguely unpleasant scent in its wake.
80
Los Angeles Times by Kevin Thomas
This is a sophisticated adult treat in the French manner with an attractive and gifted cast and is essentially serious, yet often whimsical and always compassionate.
75
Entertainment Weekly by Lisa Schwarzbaum
The performances are mediocre. The heart is big. The weather is swell.
25
San Francisco Chronicle by Mick LaSalle
Has no truth, wisdom or honesty, and it's barely entertaining.
50
In the end, all these sexual shenanigans just provide an excuse to play some seductive music and drink in some seaside scenery. Ah, Europe.
30
The New York Times by Stephen Holden
Neither funny nor sexy, nor leavened by the wistful laissez-faire wisdom of the typical sophisticated Gallic comedy, it is less than a trifle.
25
It's hard to make a dull movie with copious nudity and all kinds of sex (straight, bi and gay), although French filmmakers Olivier Ducastel and Jacques Martineau manage to do so in Cote d'Azur.