Reed is craftsman enough to make an efficient family entertainment out of Lionel Bart's musical, but not artist enough to put back any of Dickens' teeth which Bart had so assiduously drawn.
What are people saying?
What are critics saying?
Carol Reed's careful if passionless adaptation of the musical was mounted handsomely enough to win the best-picture Oscar back in 1969. In retrospect, it seems emblematic of the triviality Reed descended to in the last years of his career.
Even if you're not a 'fan' of the musicals, Oliver is so witty, so bright and so endearing that even the iciest viewer should start melting in it's corona.
ReelViews by James Berardinelli
It’s an uneven film with a tone that veers from playful to menacing. Despite numerous simplifications of the source material, it’s long and, with only a few exceptions, the songs are unremarkable and feel more like filler than organic elements of storytelling.
Chicago Sun-Times by Roger Ebert
Sir Carol Reed's Oliver! is a treasure of a movie. It is very nearly universal entertainment, one of those rare films like The Wizard of Oz that appeals in many ways to all sorts of people.
The New York Times by Vincent Canby
The focus of the movie is so wide, and the logistics of the production so heavy, that Oliver himself, dutifully played by 9-year-old Mark Lester, gets flattened out and almost lost, as if he had been run over by a studio bulldozer.
New York Daily News by Wanda Hale
Oliver! is a timeless classic that will be as lovable in 10 or 20 years as it is today.