"A New Era" is two hours of charming, breezy escapism that made me happy to see this ensemble learn to grow beyond the roles they've been given to play. Only time will tell if "Downton Abbey” continues this streak of progress, or further settle into its opulent creature comforts.
What are people saying?
What are critics saying?
The Independent by Clarisse Loughrey
Downton Abbey: A New Era is whatever the opposite of a French Exit might look like. Rather than a party guest slipping out quietly, it’s the bumptious visitor making their final, sluggish turn around the room.
The Hollywood Reporter by David Rooney
Even the acerbic bons mots delivered with crisp aplomb by Maggie Smith’s Dowager Countess, Violet Grantham, don’t match the tart-tongued precision of her best retorts. And the direction of Simon Curtis — the man who made even Helen Mirren dull in Woman in Gold — seldom rises above serviceable.
Screen Daily by Fionnuala Halligan
In a whizzing carousel of no war, no surprises, no peril, just 1920s frockery, Downton Abbey: A New Era delivers exactly the same as every other incarnation of Downton Abbey, only with a tearjerker ending for the core fanbase.
"A New Era” doesn’t feel like a cash-grab, but a true continuation. Lush settings, well-appointed sets, and an eye-popping wardrobe only add to the magic, and good luck not happily sinking into two hours of confectionary entertainment. (The endless jokes about the film industry somehow only add to the zip of it all.)
It was disingenuous of the filmmakers to use the phrase “A New Era”, because the film relies wholly on its viewers’ affection for characters and situations they have seen many times before.
The Guardian by Peter Bradshaw
As hammy, silly, and undeniably entertaining as ever.
Fellowes gives us an affectionate group hug, which is effectively what these encore visits amount to.
First and foremost, this remains a film for the fans. As such, Downton Abbey: A New Era is a triumph. After several tumultuous years, returning to a well-known universe with beloved characters is a balm and anyone who has followed along with the Crawleys will find plenty of enjoyment within the film.
The Telegraph by Robbie Collin
“We have to be able to enter the 1930s with our heads held high,” Dockery says – another hint that further Downtons may just keep roaring down the road, Fast & Furious-style. But it’s hard to believe that any could serve as a better send-off than this.