The Valet

The New York Times by Beandrea July

The Valet is an earnest crowd pleaser that unabashedly celebrates the bonds of a Latino family in a tight-knit neighborhood with rom-com aplomb.

TheWrap by Katie Walsh

The central relationship of “The Valet” is the weakest part of the film, and much of the comedy is a bit tiresome, though a few bits do pop.

Los Angeles Times by Michael Ordona

Thanks to the synthesis of adaptation, direction and ensemble — especially its leads — The Valet rewardingly finds its own way.

Screen Rant by Rachel LaBonte

The Valet is a charming twist on a classic trope led by two delightful leads, even if it sometimes struggles under the weight of all it has taken on.

IGN by Siddhant Adlakha

A low-energy comedy remade from a French farce, The Valet tries (and fails) to inject an absurd story of stardom and fake romance with added commentary and sentiment. Eugenio Derbez and Samara Weaving lead a more than capable cast, but they can’t overcome the film’s sluggish length and disconnected story.

Variety by Tomris Laffly

Sweet-natured and good-humored.