This is very much an actors’ film, not least because director-scripter Agnes Jaoui also appears in front of the camera in the well-seasoned role of Agathe Villanova.
What are people saying?
What are critics saying?
New York Magazine (Vulture) by David Edelstein
This wistful little film is at just the right temperature.
While her focus has drifted away from the upper middle class, Jaoui’s sensibility remains rather middlebrow; there’s the distinct feeling that she’s preaching solely, albeit with impressive subtlety, to the same bourgie choir as before.
Jaoui's insights into the human struggle to find meaningful ways to live may not be especially profound, but she brings a warm particularity and a tough but tender compassion to her studies of congenital human discontent and the crazy, often self-defeating ways in which we strive to complete ourselves. If that's bourgeois, we might all plead guilty.
Despite an initial forecast of smart laughs and witty tete-a-tetes, the French dramedy Let It Rain winds up being a partly cloudy affair that lacks the cohesiveness of Agnes Jaoui’s two previous features, "The Taste of Others" and "Look at Me."
Entertainment Weekly by Lisa Schwarzbaum
Jaoui neatly, gently, firmly slips political commentary into Let It Rain's articulate mayhem.
Village Voice by Melissa Anderson
Aiming to be a seriocomic movie of ideas but desperate not to offend or challenge, Let It Rain soon settles for being another smug comedy of bourgeois manners.
Boxoffice Magazine by Richard Mowe
The performances are excellent, even if none of the characters are all that likeable or involving.
The New York Times by Stephen Holden
Needlessly complicated, life already has more than enough petty dramas. Let It Rain may not be funny in a ha-ha sense, but it gave me an amused open-mouthed appreciation of life’s absurdities, including unanticipated nuisances like bad weather.