Sweet, sometimes dull and certainly overlong.
What are people saying?
What are critics saying?
The Hollywood Reporter by John DeFore
An engrossing two-hander combining the smart-talk microcosm of "My Dinner With Andre" and the sexual dynamics of a Philip Roth novel, David Trueba's Madrid, 1987 is more universal than its title suggests and holds a strong art house appeal.
A perceptive, ultra-wordy stab at catching the zeitgeist at a time of change in Spain, David Trueba's two-hander nonetheless feels like a working-out of social and personal themes that hasn't quite achieved the full leap from page to film.
Miami Herald by Rene Rodriguez
Madrid, 1987 operates on a dizzying number of levels - as a romantic comedy, a sex farce, a study of culture clash, ageism and idealism - and the highest compliment you can give this ridiculously talky movie (which plays better if you speak Spanish) is that you're a little sad to see the characters go on their way once they part, probably forever.