Saved by often delightfully bitchy British dialogue.
What are people saying?
What are critics saying?
What the picture most needed was a complete cinematic rethink and, yes, even some action to move it along.
ReelViews by James Berardinelli
As with most political thrillers, The Ghost Writer emphasizes plot development and atmosphere over action. It's an "adult" thriller as opposed to one designed for viewers suffering from ADD.
Polanski has made a genre piece with a verve and vitality that’s in sadly short supply.
The Hollywood Reporter by Kirk Honeycutt
This is a slicker, shallower exercise. It's hypnotic as it unfolds, but once the credit roll frees you from its grip, it doesn't bear close scrutiny.
Entertainment Weekly by Lisa Schwarzbaum
Satisfying, melancholy political suspense story.
The New York Times by Manohla Dargis
Mr. Polanski’s work with his performers is consistently subtle even when the performances seem anything but, which is true of this very fine film from welcome start to finish.
Rolling Stone by Peter Travers
All credit to a finely tuned Brosnan for packing so much intensity and wayward wit into his scenes with McGregor. Their verbal duels make for a dazzling game of cat-and-mouse.
Boxoffice Magazine by Ray Greene
If it is possible to watch this work as a movie rather than using it as a referendum on its maker’s guilt or innocence, the audience that craves mature, sophisticated and grown-up entertainment will find much to admire here.
The Ghost Writer may not go down as one of Polanski’s masterpieces, but if it does end up being his swan song, it’s the ideal denouement to a life and career of unsettling resonance.