Rodrigo Sorogoyen’s feature-length Madre contemplates how memories of loss linger and distort the present.
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75
70
The New York Times by Glenn Kenny
The result is an unusually compelling character study, one that, commendably, opts to end on a humane note rather than a dark judgment.
75
Madre turns out to be the least twisted, and most empathetic, entry in the damaged mother movie canon in some time.