The Whistleblower's loose camerawork and cool tones sometimes recall Steven Soderbergh's "Traffic," but without his control or unwillingness to strip away his characters' humanity.
What are people saying?
What are critics saying?
Boxoffice Magazine by Barbara Goslawski
Severe and unflinching, The Whistleblower relies on journalistic realism to pack its punch.
It reaches a peak of dramatic anguish in star Rachel Weisz's single moment of naked fury, rather than through the tenacity and compassion that define her crusading title character.
This accomplished debut feature avoids most of the usual pitfalls, channeling its outrage into a tense, focused piece of storytelling with a powerful sense of empathy.
Weisz is a dazzling woman, but her beauty is barely noticeable in this role; her character's integrity and her mounting anger grab all the attention. In one scene Kathy finally confronts what she's up against and starts to cry. They are tears of rage, and the most powerful I've seen this year.
Entertainment Weekly by Owen Gleiberman
Rarely has a movie captured the obscene violence of sex trafficking with such unvarnished grubbiness. In the end, though, The Whistleblower is a corporate thriller.
Rolling Stone by Peter Travers
The film swings from melodrama to sermonizing, both blunting the human drama that needs to come to the fore.
A grisly, authentic, meticulously researched, pulse-quickening political chiller about a hot-button topic that will keep you on the edge of your seat from start to finish.