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Victoria & Abdul

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United Kingdom, United States · 2017
Rated PG-13 · 1h 52m
Director Stephen Frears
Starring Judi Dench, Ali Fazal, Tim Pigott-Smith, Eddie Izzard
Genre Drama, History

In 1887, Abdul Karim, a young Indian clerk, is sent to England for Queen Victoria's Golden Jubilee. The lonely Queen quickly takes a shine to Abdul, and the two form an unlikely friendship -- much to the disapproval of her courtiers. Inspired by true events, this touching period drama follows the pair's relationship over the years.

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What are people saying?

What are critics saying?

50

TheWrap by Alonso Duralde

There’s not much to Victoria & Abdul, but as a delivery system for Judi Dench, it serves its purpose. Otherwise, it’s just Buckingham Palace fetishism cranked up to peak mumsy.

42

IndieWire by Ben Croll

Victoria & Abdul is an otherwise benignly toothless, pleasantly glossy affair, but it does force us to confront one tricky question: When treating a subject as fraught as British imperial rule, when does a film’s benign inoffensiveness become offensive in and of itself?

80

Empire by Dan Jolin

A sorta-sequel to Mrs Brown deals effectively with another of Queen Victoria’s unconventional friendships and reprises Judi Dench’s powerful and unparalleled portrayal.

80

Total Film by Jamie Graham

This funny, touching adap of Shrabani Basu’s 2010 biography has its own chemistry, withering wit and unsentimental message of acceptance. A royal treat.

20

CineVue by John Bleasdale

It is difficult to work out what to dislike most about Victoria and Abdul: the literal foot-licking or the cliché-ridden plot, but the greatest shame is the waste of a genuinely fascinating piece of history and a world-class Judi Dench performance.

60

The Telegraph by Robbie Collin

Frears’ film is all nostalgia and inertia – a tale ablaze with historical import and contemporary resonance, reduced to commemorative biscuit tin proportions.

67

The Playlist by Rodrigo Perez

Victoria & Abdul is a movie that flirts with exploring prejudice, cultural tension, power, and religion, but never really consummates the ideas. At best, it tries to humorously dismantle the absurdity of empires and royalty, but that’s about as subversive as it gets.

40

The Guardian by Xan Brooks

What a peculiarly dodgy, conservative film this is – a lazy salute to a good queen and her faithful Indian servant. It’s a film about the Raj era that looks as if it was made back then, too.

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