The romantic comedy, is the weakest of the trio. It stands as something of an interlude, detailing the paranoid obsessions of Cecile and her husband.
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What are people saying?
What are critics saying?
The New Yorker by Anthony Lane
What we glean from Belvauxs trilogy is the reassurance (rare on film, with its terror of inattention) that people are both important and unimportant, and that heroes and leading ladies, in life as in art, can fade into extras before our eyes. [Note: From a review of the entire trilogy.] [2 February 2004, p. 94]
The New York Times by Dana Stevens
Some of the scenes are like mislaid puzzle pieces, and they snap into place only when all three movies have been seen and absorbed. This makes watching any one of the episodes both more interesting and more frustrating than it might otherwise be, since a portion of dramatic satisfaction is always withheld.
Christian Science Monitor by David Sterritt
The mixture of humor, suspense, and ominous undertones is effective but rarely inspired.
The briefest of the three pics, it's also the least successful, suggesting that this kind of character-driven comedy isn't the genre with which Belvaux is most comfortable. Still, there are delightful sequences and ideas and the film carries a great deal more substance and resonance when placed alongside the other two in the series.
New York Daily News by Jack Mathews
Given the grim events, the buoyantly goofy An Amazing Couple has the effect of laughing gas pumped through the vents in a funeral hall.
New York Post by Jonathan Foreman
This second installment of Lucas Belvaux's acclaimed "Trilogy" is decidedly inferior to the first: a farce that simply isn't funny.
Lacking the thematic depth of "On The Run," this brisk, bubbly jape never really transcends the genre it's emulating, and your enjoyment of the film really depends on your tolerance for bumbling misunderstandings and improbable coincidences.
Entertainment Weekly by Lisa Schwarzbaum
Genre-hoppers like Steven Soderbergh ought to love this neat triple doozy. [Note: From a review of the entire trilogy.]
Village Voice by Michael Atkinson
At its most contemplative, The Trilogy is a stirring and shrewd portrait of lives lived in oblivious parallel. [Note: From a review of the entire trilogy.]